August Alsina Essays - August Alsina, I Luv This Shit, Kidd Kidd

August Alsina Born and bred from the streets of New Orleans, Louisiana, enter into the game, 21-year-old August Alsina... With the love and hustle of the Crescent City running through his veins, August is eager to follow in the footsteps of the NOLA music legends that paved his way. His recently inked deal with Def Jam Recordings looks to be a great step in the right direction, but music wasn't always in his future. August learned at an early age that drugs and money could make you, or break you. With both his father and stepfather battling crack addiction, August's mother moved their family to Houston, Texas in search of a fresh start. But Houston provided no happy ending. For years, a young August endured a home life plagued by drugs and violence. At just 14, he got word from New Orleans that is father, August Sr., lost his battle with drugs and alcohol. In an attempt to escape his reality, August took to YouTube, where he posted dozens of homemade performance videos. His clips covering the likes of Musiq Soulchild and Lyfe Jennings went viral, generating millions of views in just over a month. It seemed that he was finally taking his first steps toward a bright future in music, but just a year later, reality hit home when his best friend was shot and killed in the streets of Houston. As quickly as August appeared, he vanished form YouTube, back to the real world. With tensions mounting, 16-year-old August was kicked out of his mother's home. Alone, he returned to New Orleans. He bounced around between family and friends houses, but on some nights, only the corner store provided him shelter. Eventually, he took to the streets, selling drugs as a means of survival. With his older brother also in the streets hustling, it wouldn't be long before August learned that the addiction to money could be just as deadly as the addiction to drugs. Just days before August's 18th birthday, his older brother was gunned down in New Orleans East, another unsolved murder in one of the nations most dangerous cities. "I never expected them [the police] to find his killer," August explains. "People die every day in the streets of New Orleans. Unfortunately, death has become a way of life," but not for August. His brother's death became his motivation to not become a statistic, but to pursue his musical aspirations on an entirely new level. Under the guidance of NNTME MuCo, AKA Noontime, (management/production company), August relocated to Atlanta in 2011 to begin carving his own musical path, creating music in a lane that would separate him from his R&B counterparts. His experiences in life are what shaped him, so those experiences, no matter how brutally honest, positive or negative, would serve as the focal point of his artistry. In April of 2012 August teamed up with Hoodrich/MMGs own DJ Scream for the release of his debut mixtape, The Product, which garnered him an internet and radio buzz, and spawned the Sound Mob-produced single "Sucka," featuring fellow New Orleans native, R&B crooner Lloyd. The anti-love track offers the opinion that "love is for suckas," providing an alternative to the sappy love songs associated with today's R&B. This past May, Alsina returned with his second installment of The Product series, this time teaming up with DJ Drama and his Gangsta Grillz brand. The debut single, "I Luv This Shit," finds August paired with fellow Def Jam label mate Trinidad Jame$. The top 10 hit, produced by Knucklehead, speaks to the rebellious and, sometimes, reckless lifestyle that finds August singing words that many can relate to, "I'm way too drunk to be talking like this, I'm way too high to be trippin like this, I'm way too young to be livin like this, ask me why I do it I'ma put it like this... God damn it, I luv it." It's that honest and rebellious tone that caught the ear of Cash Money CEO/Rich Gang boss, Birdman, who jumped on the remix to stamp the fellow New Orleans native. With his buzz building, August's next stamp would come from media giant MTV, as he was named one of 2013's Fab 5, their annual list of hip-hop

NAQT Top 100 You Gotta Know Literature List Essays

NAQT Top 100 You Gotta Know Literature List Essays NAQT Top 100 You Gotta Know Literature List Paper NAQT Top 100 You Gotta Know Literature List Paper Essay Topic: A Farewell to Arms A Raisin in the Sun A Streetcar Named Desire Anna Karenina Candide Eugene Onegin For Whom the Bell Tolls Inferno Literature Lolita Midsummer Nights Dream Much Ado about Nothing Oliver Twist Pygmalion Rip Van Winkle Tale Of Two Cities The adventures Of Tom Sawyer The Count Of Monte Cristo The Grapes Of Wrath The House Of the Seven Gables The Red Badge Of Courage The Rime of the Ancient Mariner The Sound and the Fury The Sun also Rises The Taming Of the Shrew Waiting for Godot Hamlet Shakespeare Oedipus Rex Sophocles Macbeth Shakespeare King Lear Shakespeare Othello Shakespeare The Tempest Shakespeare Moby Dick Melville The Great Gatsby Fitzgerald Don Quixote Cervantes Jane Eyre Charlotte Bronte The Iliad Homer Pride and Prejudice Austen 1984 Orwell Ulysses Joyce Romeo and Juliet Shakespeare The Merchant of Venice Shakespeare Paradise Lost Milton The Canterbury Tales Chaucer The Adventures of Huck Finn Twain The Scarlett Letter Hawthorne A Streetcar Named Desire Tennessee Williams Our Town Wilder The Adventures of Tom Sawyer Twain The Divine Comedy Dante Crime and Punishment Dostoyevsky The Red Badge of Courage Crane Candide Voltaire Billy Budd: Foretopman Melville Les Mis Hugo Anna Karenina Tolstoy A Midsummer Nights Dream Shakespeare Pygmalion Shaw Julius Caeser Shakespeare War and Peace Tolstoy The Three Musketeers Dumas A Farewell to Arms Hemingway Vanity Fair Thackeray To Kill a Mockingbird Lee For Whom The Bell Tolls Hemingway The Grapes of Wrath Steinbeck Lolita Nabakov A Tale of Two Cities Dickens Little Women Alcott As You Like It Shakespeare The Waste Land T.S. Eliot Aeneid Virgil Odyssey Homer Heart of Darkness Conrad Pilgrims Progress Bunyan David Copperfield Dickens 100 Years of Solitude Garcia Marquez Antigone Sophocles Faust Goethe The Count of Monte Cristo Dumas A Dolls House Ibsen Robinson Crusoe Defoe Animal Farm Orwell The Call of The Wild London Much Ado About Nothing Shakespeare The Glass Menagarie Tennessee Williams The Crucible Miller Brave New World Huxley Stranger in a Strange Land Heinlein The Sun Also Rises Hemingway The Jungle Sinclair 12th Night Shakespeare Great Expectations Dickens The Rime of the Ancient Mariner Coleridge Oliver Twist Dickens Uncle Toms Cabin Stowe Rip Van Winkle Irving The Catcher in the Rye Salinger Waiting for Godot Beckett Death of a Salesman Miller Alices Adventures in Wonderland Carroll Long Days Journey Into Night ONeill All the Kings Men Warren Things Fall Apart Achebe Slaughterhouse 5 Vonnegut, Jr. The Charge of the Light Brigade Tennyson The Merry Wives of Windsor Shakespeare The Importance of Being Ernest Wilde The Magic Mountain Mann Invisible Man Ellison The Taming of the Shrew Shakespeare Eugene Onegin Pushkin Sense and Sensibility Austen The Brothers Karamazov Dostoyevsky Inferno Dante The Stranger Camus Catch-22 Heller A Raisin in the Sun Hansberry Wuthering Heights Emily Bronte The Sound and the Fury Faulkner Oresteia Aeschylus Decameron Boccaccio The Raven Poe Ivanhoe Scott The House of the Seven Gables Hawthorne My Antonia Cather

Culture briefing for a US based company selling bicycles Essay

Culture briefing for a US based company selling bicycles - Essay Example These divisions include the pre-colonial era, colonial era, and the post-colonial era. Kenya is widely known to comprise forty two tribes each with a distinct mother tongue language. Historically, each and every tribe has its own distinct history in terms of relocations and resettlements, development, communication and relations with other tribes, customs, traditions, as well as in trade and industry. On the basis of resettlements, Kenya’s population is groups into Bantus, Nilotes, and Cushites. Cushites include Somali and Borana among others. Some examples of the Nilotes include Nandi, Pokot, and the Luos. Examples of Bantus include Kikuyu, Embu, Meru, and Kambas. During the pre-colonial era, most individuals in Kenya depended on crops and animals. In 1985, Kenya was colonized by Britain. The country got its independence in 1963 (Hornsby, 2013). Geography According to Hornsby (2013), Kenya is a unique country with an extensive shoreline, a large proportion covered by vegetati on, beautiful mountains, arid region, lakes, as well as home to the Great Rift Valley. The Indian Ocean touches Kenya towards the south east direction. The country has a total of five countries as its neighbors. These countries include Uganda, Tanzania, Somalia, Sudan, and Ethiopia. Available sources assert that the country comprises of five climatic regions. These include the Coast, the Rift Valley, Semi-desert, desert, and the lake region. Only twenty percent of the country is considered appropriate for both crop growing and animal keeping. A whooping seventy percent of the country is either desert or semi desert. Political system Since independence, the country has upheld and preserved a centralized form of government. It is important to point out that this centralized form of government brought with it individualistic leaders such as Jomo Kenyatta and Daniel Arap Moi. These rulers were above the law during their tenures as presidents. The current president is the fourth since in dependence. The country adapted a multi-party system in 1992. This saw the emergence of new parties unlike the time of Jomo Kenya and partly during Moi’s era whereby the country had only one political party, Kanu (Hornsby, 2013). Currently, Kenya is divided into forty seven counties each being represented by a governor and a senator. Economic perspective Economically speaking, Kenya is a developing nation. Consequently, this country can be termed as a capitalist nation in terms of the economy. It depends on a large proportion with the international markets for trade and commerce. The country gets most of its revenue through the importation of cash crops such as coffee and tea. Tourism is also well structured and coordinated in Kenya and is a source of foreign exchange. Tourist throng the country’s wildlife reserves, game parks, as well at the coastal region for its favorable and warm climate (Hornsby, 2013). Traditions and customs Kenya comprises of forty two tribes ea ch practicing its own customs and traditions. For instance, Kambas undergo various rites of passage. They undergo initiation to become adult members of the community as early as the age of twelve. Young men are given the responsibility of upholding, preserving, as well as preservation of the community. The final stage among the Kambas is becoming an elder. The Maasai on the other hand are known for keeping animals and making ornaments. There are

Hard Rock Cafe Essay Example | Topics and Well Written Essays - 500 words

Hard Rock Cafe - Essay Example A list of all activities required to complete the project (typically categorized within a work breadown structure), 2. The time (duration) that each activity will tae to completion, and 3. The dependencies between activities. With help of this CPM a manager can easily see the overral progress and which operations are to be crashed in order to complete a project in time. The total duration of the project is a sum of operations durations on the Critical path. Critical path is the sequence of activities which add up the longest overall duration. An additional parallel path through the network with the total durations shorter than the critical path is called a sub-critical or non-critical path (â€Å"Critical Path Method†, 2011). In the case of Rockfest, critical path is found using MS Project, Figure 1. In the first collumn there is the operations description, in the second, operations duration. There is Ganth diagram on the scheme with red marked crithical path. Therefore, the o verral duration of the project should be 23 weeks (the critical path duration). Crashing a project means shortening some operations to fullfill project’s time requirements. If activity B (Selection local printer) would take 5 weeks instead of planned 3 weeks we must crash some operations because activity B is on the Critical Path. The crashing time should be 5-3=2 weeks.

CORE COMPETENCIES PAPER Dissertation Example | Topics and Well Written Essays - 2500 words

CORE COMPETENCIES PAPER - Dissertation Example (Holmes) Public health is "the science and art of preventing disease, prolonging life and promoting health through the organized efforts and informed choices of society, organizations, public and private, communities and individuals" (Winslow, 1920). It focuses on improving health of communities, groups of people and preventing from diseases. It may include curing from diseases, finding ways to prevent from them, making people aware of the diseases and taking measures to contribute to healthy lifestyles. There can be many reasons for different diseases. Some are sexually transmitted diseases like HIV AIDS, many are infectious like small pox, and few are caused due to lack of providing medicines at early stage of life like polio, whereas some are caused by environmental hazards. Environmental Health Hazards At every interaction with the environment, we are in contact with numerous health hazards that are caused by different pollutants and harmful substances. What we feed to our enviro nment is given back to us in the form of diseases and other health hazards. Environmental hazards are caused by chemical waste from industries, harmful substances used in these industries, land degeneration, ozone depletion, nuclear issues, over population, harmful substance used at our homes, poor sanitation, and emission of harmful gases such as carbon dioxide and carbon monoxide. Domestic and hazardous waste cause serious diseases. These wastes are divided into two categories: municipal waste by domestic activities & industrial waste by industrial activities. Municipal waste causes problem for ordinary human being if it is not disposed off in the right way. Industrial waste can cause damage to the workers in the industry as well as common man. Water contamination again causes water-borne diseases that might lead to morbidity and mortality. Clean drinking water is rare in the world. Most people do not enjoy clean water and have to quench their thirst with contaminated and polluted water. This is a very increasing concern of environmental health in entire world. Another way of causing environment related health problems is the air toxicants. Huge amounts of carbon Dioxide, carbon monoxide, and sulfur dioxide in our air are harmful for our health. A large part of air pollutants is caused by the emissions from automobiles. Besides these, in our everyday life we see consumer products full of harmful substances. Lead is one example. Lead is present in many consumer products especially paint. The manufacturers of these products put such harmful substances without realizing the high level of human interaction with these products. (Nweke & William, 2009) Children come into direct contact with environmental toxicants such as lead, methyl mercury, tobacco and other pollutants. These pollutants enter children’s bodies via placental transfer during fetal growth, inhalation of dust, breast milk and other dietary sources during early childhood. (Landrigan et al, 19 98) One of the threats from these environmental hazards is asthma in children. It is more common in children because they have smaller airways. Asthma Asthma causes the airways

The Impacts Of Globalisation on Theatre

The Impacts Of Globalisation on Theatre Globalisation refers to the increasing interaction and integration of people socially, economically, and culturally through increasing interconnectedness, in which, theatres are also affected by. Performances originally in English are now performed in multiple languages, allowing other cultures around the world to experience watching similar theatrical performances. Singapore, a globalised community, consists of much cultural variety. Due to the immersed cultural diversity, Singapore would like to expand their theatrical performances, appealing to a broader audience of different cultures and eventually become the Broadway of the East. It is the contention of this essay to analyse the impacts of globalisation on theatres via the examination of McTheatres, modernism, interculturalism, and the impact of Western theatre culture on Singapores theatre culture in accordance to theatre design. In the McTheatre franchise, the workers have little or no control over their conditions of work; all the creative decisions were taken years ago and are locked down. The choreography is fixed, and the movements are largely determined by the automated sets and standardized lighting designs, which means that any deviation from the pattern risks injury or singing in darkness (Rebellato 2009: 44). The concept of McTheatre productions are methods of global imperialism. The pro side to this can be explained when the concept was founded by Cameron Mackintosh during the 1970s when he began working in a British theatre. After experiencing a shabby imitation of a metropolitan original, Mackintosh wanted audiences anywhere in the world to have the same high-quality experience instead of a cheap reproduction. However, because of standardization, the virtues of theatre are depreciated, such as the liveliness, immediacy, and the uniqueness of each performance. In a show such as The Lion King, the costumes are the stars, and the actors merely their operators. When we think of the mega musicals, we often think of the brand images: the big eyes orphan, a cats eye, a combined Japanese pictograph/helicopter. The star performers are never part of the brand image, because in McTheatre even the biggest star is replaceable (Rebellato 2009: 45). Cities such as Toronto, Las Vegas, Basle, and Denve r hold theatres that have been built specifically for these mega musicals. However, they are not built well acoustically, considering all mega musicals are miked performances. Thus once that particular mega musical performance has moved on, the theatre is limited to performances requiring well built acoustics. Musical franchises are successful to a certain extent, but they are limited to an English speaking audience. Musicals such as The Lion King and Tarzan however, even though they are global musical theatre hits, are performed in multiple languages in order to appeal to a larger range of audience members. Cats have been translated into 10 different languages such as Japanese, German, and French and The Lion King will be making its first Spanish debut in Madrid on October 21st of 2011 (Cats the Musical 2011; Gans 2011). Aside from mega musicals, past theatrical performances such as Shakespearean plays are currently performed around the world. Variations of Shakespeares plays are also created to appeal towards the audience of the 21st century, for example, The Complete Works of Shakespeare (Abridged) is an interactive and humorous parody of Shakespeares plays where improvisation plays a huge roll. Hence, every performance is never the same and is unique. While older theatre acts are adapting to a more modern perspective, new performances are created to relate towards the 21st century audience. The theatre might be thought to contribute to the globalization of politics through plays that critically represent the workings of globalization (Rebellato 2009: 9). The musical Avenue Q, is ranked 21st of longest running shows in Broadway history with 2,534 performances (Avenue Q 2009). The musical, ironically portrayed as an adult version of Sesame Street, isnt a globalized musical because it has been performed around the world, but also because the musical itself is about globalization. Considering its relevance towards the 21st century audience, it is able to connect with the majority of the world population. The puppets in the musical goes through stereotypical problems and activities people go through every day, such as, the relation towards internet within their song the internet is for porn, pokes fun at how the modern day population m akes use of the internet, though not many may admit or embrace the new mentality. Culture and globalisation goes hand in hand with each other, and theatres are no exception from the interculturalism. Defined by nationalists of the Canadian province of Quebec, interculturalism is the philosophy of exchanges between cultural groups within a society. Theatres in particular have been able to share multiple cultures with the world for centuries. This alone is a huge part on globalisation because different parts of the world are able to experience different cultures through the form of theatrical performances, whether it would be through dance, acting, and music. I consider theatre to refer to all cultural forms in which performers and active or passive participant-audiences coexist in the same space for a set time (Knowles 2010: 3). During the Nara period, the Japanese, Chinese and Koreans exchanged performance traditions with each other, hence the bukagu court dance and gugaku, the Buddhist processional dance play, was eventually integrated with the Japanese culture. Western cultures did not intermix with the Asian cultures until American and European invasions in the late 19th century. Ric Knowles makes this point in his book Theatre Interculturalism: Beginning at the turn of the twentieth century and lasting almost a hundred years, the shingeki (new drama) movement saw a turn in Japan to Shakespeare, Ibsen, Chekhov, Stanislavski, and the performance styles of western naturalism and spoken drama. In the first decade of the twentieth century, in the wake of Chinas defeat in the Sino-Japanese war of 1894-5, a similar movement developed in China, largely through the conscious efforts of Li Xishuang and Tokyos Spring Willow society, and visits to the society by Chinese students who produced the first huaju (spoken drama) (Knowles 2010: 8-9). Much like the plays from Shakespeare, as mentioned before, it has come to a point where we have the ability to share knowledge easily around the world, and theatrical performances are also able to be shared with equal amount of ease. One of the most well known types of performances known to globalise are circuses. It is in their nature to be mobile and move from place to place entertaining audiences. This leads to globalization through culture, the interconnection of world cultures, perhaps even the development of a world culture' (Rebellato 2010: 5). The most world renowned circus to this day would be Cirque du Soleil. Originally named Les Échassiers, it was founded by two former street performers in 1984 in Baie-Saint-Paul. It is now a Canadian entertainment company based in Montrà ©al, Quebec, self-described as a dramatic mix of circus arts and street entertainment (Cirque du Soleil 2010). Cirque du Soleil has a wide variety of performances, all of which are an integration of circus styles from around the world with its own theme and storyline. They attract audiences through continuous live music, which allows the performance to be cross cultural because one doesnt have to understand the language in order to enjoy the performance, hence it appeals to everyone and they are able to expand to different cultures around the world. Cirque du Soleil does not only travel around the world, but they have also left permanent set ups in different parts of the world. Las Vegas, United States, has the most Cirque du Soleil performances in one area. Performances such as KÀ, LOVE, Mystà ¨re, O, Viva ELVIS, and Zumanity are performed to many new audiences because its in an area of visiting tourists from all around the world. ZED Cirque du Soleil is stationed in a theatre build specifically for this performance at Disney Resort in Tokyo, Japan, with seven million people watching this spectacular performance every year. Cirque du Soleil has been able to create and show many different performances, but it couldnt have been done without more than 600 of their performers. (Cirque du Soleil Inc. 2009) Hence, the interconnectedness of culture is shared amongst performers and audience alike all around the world. Though most of the casts of Cirque du Soleil are trained for this specialized art, there are also performers who were past Olympic participants from all around the world. Zoltan Supola, a gold medal gymnast who competed in the Olympic three times, retired in the year 2000 after the Sydney Games. He landed a job with Cirque du Soleil and became a part of the gravity-defying troupe of performers, which now incorporates a total of 17 former Olympians. Another example is gymnast, Paul Bowler, who performs in Mystà ¨re at the Treasure Island hotel in Las Vegas after failing to make it with the British Olympic team in 1996 (Martinez 2011). Performances themselves arent the only ones affected by globalisation, but the people who work within those performances as well. It is without a doubt that Cirque du Soleil is one of the most globalised theatrical performances to have spread from North America all the way to Asia. Singapore is known to be a global community with multiple cultures integrated in one city, and because of this, different kinds of theatrical acts dedicated to the different cultures and all cultures are continuously performed. Singapore is a perfect example of interculturalism in general and for theatres. With the amount of international theatrical performances arriving every few months and with the amount of audiences watching these performances, it is clear that Singapore has embraced the idea of interculturalism within their theatres. This is a country in which Western and Asian performances are accepted together and appeal to a large portion of the public, hence Singapores wish to be a global pin point, the Broadway of the East so to speak. As Kenneth Lyen states: Yes, Singapore can indeed be the Broadway of the East. We have several unique attributes. Firstly, there is a wealth of stories waiting to be told in the genre of musical theatre. We also have a fascinating variety of Asian music, with different rhythms and different instruments. Our talent pool is immense, and largely untapped. We have not reached the stage where musical theatre prohibitively expensive to stage (Lyen 2010). Aside from Singapore bringing in theatrical performances from other parts of the world, Singapore themselves are trying to globalise their own local theatre productions. It is obvious how much Western performances have influenced the local productions. By trying to maintain a unique theme to Singapore, the structure is very much of the western style. A good example of this is the musical, Forbidden City. Its Singapores most successful musical first commissioned for the opening of the Esplanade, now in its third run, greeted with interest by American investors whod like to adapt it for Broadway (Yi-Sheng 2010). By exploring the fusion of Western and Eastern styles, there is a possibility for Singaporean theatrical productions to become worldwide and achieve globalisation with their own culture and local acts. Theatre of the 21st century is affected by social standing and social status of the community, hence the design of theatres affect the peoples want and reason to attend a performance based on prestige. Theatre of Ancient Greece was an open air, semi-circular layout with only the use of a skene and costumes for visual distinction between characters and scenery (The Columbia Encyclopedia, Sixth Edition 2008). It was a place for the gathering of people to enjoy a performance by being taken to another dimension. The use of lighting was available only through natural lighting; hence performances were casually held during the daytime. The globalised theatre design of the 21st century however, is incorporated on the theatre experience influenced by the modern American stage design through the use of lighting, props, and moveable stage parts. With the discovery of lighting, theatres became enclosed and performances became a nightly event, which is gives off a more formal experience. Now it i s a place not only for people to gather and enjoy a performance, but also a place of prestige. Theatres in general have become a social marker. The concept of an exposed theatre within the new proposed design of the Victoria Theatre situated in Singapore is aimed to attract audiences through the act of interaction or communication with the general public and raise awareness of theatrical performances to help Singapore reach its goal of being the Broadway of the East. The use of an open-air theatre and an enclosed theatre together is to create two different experiences much like the casual experience of Ancient Greece and the more formal experience of the 21st century. With todays technology and interconnectedness, theatres has become a huge part of globalisation through the sharing of performances and performers around the world not only through the use of McTheatres, but also through the creation of fused cultural performances in order to reach out to a broader audience. Through Western influence, the design of theatres has created a social status through the theatre experience. Singapore, being a social marker and huge globalised community, has attracted theatrical performances from around the world in order to share the multiple cultures with its local audience, to become the next Broadway of the East, and to create their own theatrical performances as well, such as Forbidden City.

Eudora Weltys The Bride of the Innisfallen :: Eudora Welty The Bride of the Innisfallen

Eudora Welty's The Bride of the Innisfallen Suzanne Marrs' critical essay, "Place and displaced in Eudora Welty's The Bride of the Innisfallen," makes the claim that "Welty's increased sense of self- confidence as a writer was a determining factor in the new patterns her stories would follow. [Welty's] travel, for extended periods and to faraway lands influenced her fiction in dramatic ways" (Marrs 1). This statement is true. Previously the setting for the majority of Welty's writing took place in the place she knew the best, her home. It seems that Welty was finally able to branch out and expand her horizons and not stay confined to areas which were familiar and comfortable for her to write about. The essay attempts to relate Welty's character Circe to Welty herself stating that "Circe desires to become a Welty-like wanderer and transcend the limited roles that have been available to her (4). While this seems to be a reasonable comparison, this is probably not what Welty was trying to accomplish. Many feel they have found Welty in many of her writings, but that is not unusual since the author is the one thinking of what the characters are going to do and say. Welty's characters may seem to be a shadow of her but if they are, or resemble Welty's life in any way, this is by accident and was not something Welty was trying to do on purpose. This is not to say that Welty does not draw from her experiences. "The Bride of the Innisfallen" draws from Welty's journey from London to Ireland (5). Authors almost always draw from their own experiences. Looking at Welty's earlier work this is apparent from her setting in Jackson, her hometown. Even though the setting may be familiar to her, this does not mean that the characters in the book are supposed to be her. Marrs says that in "Going to Naples" Welty wrote herself in a sense into the story. The comparison is made that like Welty the character Miss Crosby was an "unattached lady who could not speak a word of Italian"(5). True that Eudora Welty may be using the character of Miss Crosby to deal with her own personal experience, but more importantly Welty is drawing from new experiences to adapt to her writing. No matter how many similarities Miss Crosby is not Eudora Welty. Welty is simply writing about what she knows. Not to totally discredit all of Marrs' comparisons, there certainly are many areas Eudora Welty's The Bride of the Innisfallen :: Eudora Welty The Bride of the Innisfallen Eudora Welty's The Bride of the Innisfallen Suzanne Marrs' critical essay, "Place and displaced in Eudora Welty's The Bride of the Innisfallen," makes the claim that "Welty's increased sense of self- confidence as a writer was a determining factor in the new patterns her stories would follow. [Welty's] travel, for extended periods and to faraway lands influenced her fiction in dramatic ways" (Marrs 1). This statement is true. Previously the setting for the majority of Welty's writing took place in the place she knew the best, her home. It seems that Welty was finally able to branch out and expand her horizons and not stay confined to areas which were familiar and comfortable for her to write about. The essay attempts to relate Welty's character Circe to Welty herself stating that "Circe desires to become a Welty-like wanderer and transcend the limited roles that have been available to her (4). While this seems to be a reasonable comparison, this is probably not what Welty was trying to accomplish. Many feel they have found Welty in many of her writings, but that is not unusual since the author is the one thinking of what the characters are going to do and say. Welty's characters may seem to be a shadow of her but if they are, or resemble Welty's life in any way, this is by accident and was not something Welty was trying to do on purpose. This is not to say that Welty does not draw from her experiences. "The Bride of the Innisfallen" draws from Welty's journey from London to Ireland (5). Authors almost always draw from their own experiences. Looking at Welty's earlier work this is apparent from her setting in Jackson, her hometown. Even though the setting may be familiar to her, this does not mean that the characters in the book are supposed to be her. Marrs says that in "Going to Naples" Welty wrote herself in a sense into the story. The comparison is made that like Welty the character Miss Crosby was an "unattached lady who could not speak a word of Italian"(5). True that Eudora Welty may be using the character of Miss Crosby to deal with her own personal experience, but more importantly Welty is drawing from new experiences to adapt to her writing. No matter how many similarities Miss Crosby is not Eudora Welty. Welty is simply writing about what she knows. Not to totally discredit all of Marrs' comparisons, there certainly are many areas